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"You can't measure the success of a [film] on how many tickets it sells. You can only measure it in how many hearts it changes." Hayao Miyazaki …more »»  
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Pierced to the Heart gets a new home!

Over time, we will be moving content from this site to a new web address: Life Love Illusion (lifeloveillusion.com). The new name and format support a broader range of exploration. During the (long) transition, you will be automatically redirected for articles we’ve moved. Other articles will remain available here.

What’s the deal here?

Have you ever had a blinding flash of clarity about a better life or a better world? A moment where you thought, “Hey, maybe there’s life before death”? It can change you, and it can start with a moment in a movie.

That’s what is about: finding life through film. Whether a film is old or new, we turn things around: We spend less time critiquing a film and more time asking if the film can critique us. With any film, we:

  • Focus first on how a film embodies the best in life — good, true, beautiful things — even if its filmcraft falls short.
  • Tone down (but don’t ignore) our critique of a film’s failings.
  • Allow a film to show ugly sides of life if, by doing so, it might help us see the best in life more clearly.

Why? Because life is better when the world’s a better place, and that starts with us. Whether on DVD or in a theater, we have a good time with film and we want movies to help us get better. Other bits you’ll find on the site:




A angle on film is about how we change from the inside out and how film can help us do that. It works like this:

Change from the inside out

  • Heart. On the inside, in our hearts, is who we really are. A film can show us the best things in life and move us toward loving them.
  • Beauty. Our hearts move with Beauty — good, true, pleasing things. A film can help us feel the joy of real Beauty or the pain of Beauty's absence.
  • Love. As a film moves us toward Beauty, we can find and live love and relationship with those around us.

Be thoughtful about film

  • Find a film's heart. Seeing a film, we want more than the fun of the moment. We also want the film's heart to move us toward the best in life.
  • Take care with content. We see films that dive deep into ugly issues of this life, and thus show ugly things, but we don't want to enjoy ugly content for its own sake.
  • Consider what to watch. We see a broad range of films, yet we aim to choose better films that enrich our lives with Beauty in the moment and that also help us get better.

I hope you'll join us.

Randy Heffner
organizer

Talk about great films: After Life (1999)

Before viewing talk
Imaginative, compassionate, and perceptive, Kore-eda Hirokazu’s After Life creates a crucible of sorts to distill a person’s life down to its essence — or at least its essence as seen …more »»
After viewing talk
Kore-eda's intimate observation and deliberate pacing in After Life draw me beyond its central notion (choosing a single memory) and into a longing … more »»
 

More in-depth talks about great films

Gran Torino (2008)

Before viewing talk
One could say that Gran Torino explores racism, but really racism is almost a red herring in the film’s exploration of alienation, sacrifice, caring, gratitude, and giving. Some praise the film, and some have derided …more »»
After viewing talk
By putting our judgments of others in the context of responsibility and maturity, Gran Torino encourages me toward a nuanced understanding of my judgments … more »»

Things We Lost in the Fire (2007)

Before viewing talk
With depth and unblinking intensity, Things We Lost in the Fire explores human connection, dependency, love, selflessness, and jealousy, focused in the aftermath of a tragic death. The main characters’ pain, mixed motivations, and confused needs intertwine, …more »»
After viewing talk
After seeing Things We Lost in the Fire, I want to live a deeper and truer love, one based more in freedom than satisfaction. Of course, we know that … more »»

The Secret of Roan Inish (1994)

Before viewing talk
The legends, mystery, and characters in The Secret of Roan Inish beautifully embody our innate longing for home and how we deal with that longing. The Irish waterscape and the life within it becomes a character, being both lovely and treacherous, passive and with its own active agenda. …more »»
After viewing talk
After seeing The Secret of Roan Inish, I sat back and wondered how often I, like Tess (the grandmother), repress my longing for home. I wondered how often … more »»

Goodbye Solo (2009)

Before viewing talk
A momentary acquaintance is most times just that: momentary. The beauty in Goodbye Solo arises from a quick, sharp moment of insight leads one character, driven by his depth of concern for other people, to relentlessly …more »»
After viewing talk
I was intensely struck by Solo's character in Goodbye Solo and specifically by his immediate — and sustained — reaction to a fellow human … more »»