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"You can't measure the success of a [film] on how many tickets it sells. You can only measure it in how many hearts it changes." Hayao Miyazaki …more »»  
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What’s the deal here?

Have you ever had a blinding flash of clarity about a better life or a better world? A moment that set your heart to burning for something more? It can start something big, and it can start with a moment in a movie.

That’s what is about: finding life through film. Whether a film is old or new, we turn things around: We spend less time critiquing a film and more time asking if the film can critique us. With any film, we:

  • Focus first on how a film embodies the best in life — good, true, beautiful things — even if its filmcraft falls short.
  • Tone down (but don’t ignore) our critique of a film’s failings.
  • Allow a film to show ugly sides of life if, by doing so, it might help us see a better path to the best in life.

Why? Because life is better when the world’s a better place, and that starts with us. Whether on DVD or in a theater, we have a good time with film and we want movies to help us get better. Other bits you’ll find on the site:




A angle on film is about how we change from the inside out and how film can help us do that. It works like this:

Change from the inside out

  • Heart. On the inside, in our hearts, is who we really are. A film can show us the best things in life and move us toward loving them.
  • Beauty. Our hearts move with Beauty — good, true, pleasing things. A film can help us feel the joy of real Beauty or the pain of Beauty’s absence.
  • Love. As a film moves us toward Beauty, we can find and live love and relationship with those around us.

Be thoughtful about film

  • Find a film’s heart. Seeing a film, we want more than the fun of the moment. We also want the film’s heart to move us toward the best in life.
  • Take care with content. We see films that dive deep into ugly issues of this life, and thus show ugly things, but we don’t want to enjoy ugly content for its own sake.
  • Consider what to watch. We see a broad range of films, yet we aim to choose better films that enrich our lives with Beauty in the moment and that also help us get better.

I hope you’ll join us.

Randy Heffner
organizer


Talk about great films: Gran Torino (2008)

Before viewing talk
One could say that Gran Torino explores racism, but really racism is almost a red herring in the film's exploration of alienation, sacrifice, caring, gratitude, ...more »»
After viewing talk
By putting our judgments of others in the context of responsibility and maturity, Gran Torino encourages me toward a nuanced understanding of my judgments … more »»
 
…more »»  

Reviews and stuff on other interesting film sites



Upstream Color (Carruth, 2013)
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To The Wonder (Malick, 2013)
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La Pivellina and the Child’s-Eye-View: The Docu-Drama of Tizza Covi & Rainer Frimmel
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Captive Audience: A Response to Holy Motors
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Ten Notes on “Elementary”; or, Why Can’t I Love It?
I So CBS’s Elementary has been running for a while, and I keep meaning to catch up with it and give it a proper review—“this…

Holy Motors (Carax, 2012)
Holy Motors lends itself to conversation about identity and all the slippery little details we cobble together to make sense…

Skyfall (Mendes, 2012)
“Let the sky fall” The Bond title sequence is always a pop culture stunt in the best sense of the term. The selection…

The Master (Anderson, 2012)
Here, again, is Andrew Welch with his second turn as a Filmwell guest contributor. Andrew Welch lives in Denton, TX, and has…

8 1/2 (Conversations about the S&S Top Ten Greatest Films)
(Join Jeffrey Overstreet and Michael Leary as they discuss the Top Ten films from the recent Sight & Sound Greatest Films…

Blow-Up (Antonioni, 1966)
Filmwell welcomes Andrew Welch as a new guest contributor. Andrew Welch lives in Denton, TX, and has written for Books &…

Updated: 23 May 2013, 22:00 UTC

 


Seeking a Friend for the End of the World
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Brave
As I watched the trailer for Brave I had a sinking feeling. It’s funny, of course, and the images and characters are brightly…

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As the last scene of this movie faded away, replaced by a screen reading “Directed by Madonna,” I asked my companion,…

The Adventures of Tintin
I have 11 grandchildren. I see plenty of children’s movies. I have acquired a jaundiced eye. As autumn leaves drift into…

Tinker Tailor Soldier Spy
This might be an excellent movie; it certainly looks impressive. But I’m only a little less baffled now, after reading up…

Main Street
Playwright Horton Foote (1916-2009) made the comment a few years back, “The people hardest on [my work] always say that…

There Be Dragons
First the bad news, for adolescent viewers, anyway: there don’t be any dragons. Not the leathery-winged kind, at least.…

In Time
And that’s the happy ending.   It’s this unintentional resonance that threatens to turn In Time from a nifty…

PBS Interview: Higher Ground
[October 8, 2011] Here’s a link to my interview on the PBS show, “Religion and Ethics Newsweekly,” about the…

Interview with Vera Farmiga, "Higher Ground" Director
Here’s what happens. You prepare for a phone interview with an actor or director by thinking up a list of questions. Really,…

Higher Ground
When evangelicals hear that there’s a new movie about their brand of Christianity, they get nervous. All too often they…

Harry Potter and the Deathly Hallows: Part 2
Harry Potter and the Deathly Hallows: Part 2, the eighth and final film in the Harry Potter series, opens today in a blaze of…

Larry Crowne
Picture Tom Hanks. Got it? OK, now picture a guy whom Julia Roberts would find so overwhelmingly yummy that she would not only…

The Illusionist
[National Review Online; Feb 10, 2011] The Illusionist has been nominated for Best Animated Feature (I mean the new animated film,…

Life As We Know It
How bad can a blind date be? When Eric Messer (“Call me Messer”) shows up an hour late at Holly Berenson’s apartment,…

Updated: 23 May 2013, 22:00 UTC